"I am often asked how Operalia came into existence. Through the years, I have always taken a special interest in promising young singers, and I have thought a lot about the enormous difficulties these artists face as they start their careers. It has become clear to me that talent alone is not enough; it is also essential for young singers to come to the attention of those impresarios, managers, casting directors, conductors and stage directors who can further their professional careers.
My purpose in Operalia is to help identify not only the best voices, but also to discover those singers whose personalities, characters and powers of interpretation show that they have the potential to become complete artists. Individuals such as these become tomorrow’s stars. This is why the jury is not exclusively made up of great singers but also includes general managers, stage directors and casting directors. The importance of the international jury of each Operalia competition has helped to create the necessary stir and has usually led to important engagements for these artists.
I take great interest in the careers of the Operalia winners and follow them closely. I owe it not only to them but also to my friends who work so hard to make Operalia a reality each year."